{"title":"History of Architecture","description":"\u003cp\u003eLund Humphries' growing list of books in the History of Architecture covers all periods and building types, with a particular emphasis on the 19th and 20th centuries. The \u003ca href=\"\/collections\/architectural-history-of-the-british-isles\" title=\"Architectural History of the British Isles series\"\u003eArchitectural History of the British Isles series\u003c\/a\u003e publishes illustrated scholarship in the history of British architecture.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eSPECIAL OFFER: \u003c\/strong\u003euse code \u003c\/span\u003e\u003cstrong\u003eCOMBI20\u003c\/strong\u003e\u003cspan\u003e for \u003c\/span\u003e\u003cstrong\u003e20% off 2 or more books!\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ePostage is free to a UK address. Postage to overseas is £20 flat rate. For more information, please see our delivery information\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" title=\"Delivery\" href=\"https:\/\/www.lundhumphries.com\/pages\/delivery-information\" target=\"_blank\"\u003ehere\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eor email\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" title=\"sale book delivery query\" href=\"mailto:info@lundhumphries.com\" target=\"_blank\"\u003einfo@lundhumphries.com\u003c\/a\u003e \u003c\/p\u003e","products":[{"product_id":"travels-with-frank-lloyd-wright","title":"Travels with Frank Lloyd Wright","description":"Frank Lloyd Wright is known as the architect of an enduring modern American vision, but was himself extremely well-travelled, with journeys to far-flung corners of the world serving as opportunities to develop and promote his globalising ‘organic’ philosophy. Visits to Japan and Germany informed his Prairie House period, his Usonian manifesto was presented in Russia and the UK, and later he spent time in Italy and the Middle East during his Legacy period.\n\u003cbr\u003e\u003cbr\u003eGwyn Lloyd Jones retraces Lloyd Wright’s footsteps in a fascinating globetrotting narrative that reveals Lloyd Wright’s architectural legacy as having emerged from what was, at the time, a newly globalised era of architectural production. Along the way the author meets the people who are living with and experiencing Lloyd Wright’s\n‘organic’ architecture today and asks whether the buildings remain true to Lloyd Wright’s intent and what it is that makes them unique. \u003cbr\u003e\u003cbr\u003eBeautifully illustrated with Lloyd Wright’s own sketches and photographs, as well as historical photographs of his original journeys and designs, this book offers an original and contemporary view of the ambitions and lasting legacy of the first ‘global architect’.","brand":"Gwyn Lloyd Jones","offers":[{"title":"Default Title","offer_id":36898815631,"sku":"9781848222267","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848222267_c74dd17e-acdf-4700-b721-21eef366e91e.jpg?v=1761895933"},{"product_id":"japan-and-the-west","title":"Japan and the West","description":"This book discusses the architectural influence that Japan and the West have had on each other during the last 150 years. While the recent histories of Western and Japanese architecture have been well recorded, they have rarely been interwoven. \u003cbr\u003e\u003cbr\u003eBased on extensive research, \u003ci\u003eJapan and the West\u003c\/i\u003e provides a synthetic overview that brings together the main themes of Japanese and Western architecture since 1850 and shows that neither could exist in its present state without the other. It should be no surprise that Meiji architecture drew heavily upon Western precedents, or that Le Corbusier was strongly influenced by the Japanese \u003ci\u003eminka\u003c\/i\u003e. In considering these histories, this book demonstrates the mutual inter-dependence of both architectural cultures while, at the same time, acknowledging their differences.\u003cbr\u003e\u003cbr\u003eIn conclusion, the book moves beyond style and structure to the Japanese concept of \u003ci\u003ema\u003c\/i\u003e — the pause or the space between, and demonstrates how this concept has found a place in Western architecture.","brand":"Neil Jackson","offers":[{"title":"Default Title","offer_id":9235563085881,"sku":"9781848222960","price":65.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848222960_5b9b429c-3bab-4fc5-b26c-44cc431fb5a1.gif?v=1731651638"},{"product_id":"eric-mendelsohns-synagogues-in-america","title":"Eric Mendelsohn’s Synagogues in America","description":"In America between 1946 and 1953, the German-Jewish architect Eric Mendelsohn planned seven synagogues, of which four were built, all in the Midwest. In this book, photographer Michael Palmer has recorded in exquisite detail Mendelsohn's four built synagogues: Saint Paul, Saint Louis, Cleveland and Grand Rapids. These photographs are accompanied by an insightful contextual essay by Ita Heinze-Greenberg which reflects on Eric Mendelsohn and his Jewish identity.\u003cbr\u003e\u003cbr\u003eMendelsohn's post-war commitment to sacred architecture was a major challenge to him, but one on which he embarked with great enthusiasm. He sought and found radically new architectural solutions for these ‘temples’ that met functional, social and spiritual demands. In the post-war and post-Holocaust climate, the old references had become obsolete, while the founding of the State of Israel in 1948 posed a claim for the redefinition of the Jewish diaspora in general. The duality of Jewish and American identity became more crucial than ever and the congregations were keen to express their integration into a modern America through these buildings. \u003cbr\u003e\u003cbr\u003eHardly anyone could have been better suited for this task than Mendelsohn, as he sought to justify his decision to move from Israel and adopt the USA as his new homeland. \nThe places he created to serve Jewish identity in America were a crowning conclusion of his career. They became the benchmark of modern American synagogue architecture, while the design of sacred space added a new dimension in Mendelsohn’s work.","brand":"Michael Craig Palmer","offers":[{"title":"Default Title","offer_id":17419925913657,"sku":"9781848222946","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848222946_8c367b22-7253-47bd-93c3-000becf84aa9.jpg?v=1761895927"},{"product_id":"2020","title":"20\/20","description":"\u003cp\u003eOrdered chronologically, and global in scope, this book provides an account of modern architecture through the prism of 20 of the most influential houses built over the past century. By telling the stories of these houses, it offers a fascinating biography of some of the greatest modern architects.\u003cbr\u003e\u003cbr\u003eJohn Pardey examines the ground-breaking ideas, sensitivity to detailing and materials in houses designed by the likes of Gerrit Rietveld, Le Corbusier, Adolf Loos, Mies van der Rohe, Frank Lloyd Wright, Giuseppe Terragni, Alvar Aalto, Charles and Ray Eames and Oscar Niemeyer, and seeks to discover what lessons they can still offer for architects practising today.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e20\/20\u003c\/i\u003e tells the story of the client, the architect, the house and the events around the construction of each dwelling during the turbulent 20th century. It offers readers a fascinating biography of great architects in which revelations are found in their most intimate projects.\u003c\/p\u003e","brand":"John Pardey","offers":[{"title":"Default Title","offer_id":18655801540665,"sku":"9781848223530","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848223530_66d4ba6d-e5ee-4ec4-9011-c9d2e124170a.jpg?v=1761895925"},{"product_id":"1-finsbury-avenue","title":"1 Finsbury Avenue","description":"Completed in 1984 by Arup Associates 1 Finsbury Avenue (1FA), the first section of the Broadgate masterplan, was widely acclaimed at the time and has since been listed as a Grade II building by Historic England. It was commonly acknowledged as having set the exemplar for future commercial architecture in the UK, introducing major innovations in construction methods and materials from the US and adopting a whole new approach to the design and planning of an office block.\u003cbr\u003e\u003cbr\u003e1FA has recently undergone a prestigious mixed-use restoration by British Land, in liaison with Historic England, designed by award-winning architects Allford Hall Monaghan Morris. While retaining the distinctive listed facade and reintroducing the original plan's full-height interior atrium, AHMM have taken a similarly innovative and experimental approach to the complex, and in doing so, have set a new exemplar for the future of office design in the 21st Century.\u003cbr\u003e\u003cbr\u003eThis book sets the iconic building in its historic context, before detailing the story of its initial development, design and construction, its listing and the effect of this listing on a commercial property in terms of planning and adaptive re-use. It then critically examines the current, similarly innovative scheme and the reimagining of this late 20th-century landmark.","brand":"Kenneth Powell","offers":[{"title":"Default Title","offer_id":18655801671737,"sku":"9781848223721","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848223721_c8c311f4-895f-42c0-8cfe-5ecccf94c471.jpg?v=1761895924"},{"product_id":"designing-londons-public-spaces","title":"Designing London’s Public Spaces","description":"Those involved in the creation of public spaces think a great deal about the users of those spaces. Users think little, if at all, about those who create them. There are many: planners, developers, investors, contractors, special-interest groups, governments from local to national, and above all in this book, designers. The complex sets of relationships in which the designer is enmeshed remain largely unknown, as does the effect of those relationships on the public spaces they design. \u003cbr\u003e\u003cbr\u003eIn ‘super-diverse’ cities like London, a successful public realm, where people can be together in trust and tolerance, is essential. A city’s commitment to design quality indicates a commitment to civic health. In the interests of such commitment, the book asks: What should public space ‘design intentions’ be today?; Who is ‘the public’ of public spaces?; What can\/should designers do to protect the ‘publicness’ of public spaces?; Was state financed public space mid-20th century of any higher quality than privately financed public space today?; How significant is the shift from commissioning architects to design public spaces mid-20th century to commissioning landscape architects and public realm architects today?; Does emptiness in public spaces have a value?; Does retail in public spaces narrow the range of people visiting them?","brand":"By Susannah Hagan","offers":[{"title":"Default Title","offer_id":18655801802809,"sku":"9781848222588","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848222588_4798da4d-5696-4914-bb60-c2560060bdd4.jpg?v=1761895927"},{"product_id":"studio-lives","title":"Studio Lives","description":"By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architecture – occupying and adapting Victorian studios and commissioning new ones. In doing so, it shows them coming to terms with the past, and inventing different modes of being modern, collaborating with architects and shaping their work. \u003cbr\u003e\u003cbr\u003eIn its scrutiny of the physical surroundings of artistic life during this period, the book sheds insight into how the studio environment articulated personal values, artistic affinities and professional aspirations. Not only does it consider the studio in terms of architectural design, but also in the light of the artist’s work and life in the studio, and the market for contemporary art. By showing how artists navigated the volatile market for contemporary art during a troubled time, the book provides a new perspective on British art.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Louise Campbell","offers":[{"title":"Default Title","offer_id":18655803473977,"sku":"9781848223134","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848223134_fad57b98-35ad-4c65-abaa-6cc72863054c.jpg?v=1761895932"},{"product_id":"architecture-through-drawing","title":"Architecture through Drawing","description":"\u003ci\u003eArchitecture through Drawing\u003c\/i\u003e examines how drawing – as both action and object – encapsulates complex ideas relating to culture, technology, space and the built environment. Bringing together an array of beautiful and rarely seen drawings dating from the sixteenth century to the present day, all representing different geographical locations, techniques, methodologies and purposes, the book defines a new field for the subject of the drawing in architecture. It reveals the motives for architectural drawing beyond the requirement to document the processes that underpin the realisation of the architectural object.\n\u003cbr\u003eThis book asks, fundamentally, whether drawings can illuminate new interpretations of architectural experimentation. Examples range from initial sketches by architects to analytical and construction drawings, perspectives and schematics, collage and more complex presentations and paintings often carried out in association with others.\n\u003cbr\u003eDialogues include Fabrizio Ballabio on Filippo Juvarra’s Ottoboni Theatre; Desley Luscombe on Ludwig Mies van der Rohe; Mark Dorrian on Michael Webb; Nicholas Olsberg on Victorian architects William Butterfield, Norman Shaw and GE Street; Charles Rice on James Gowan; Laurent Stalder on perspective in postwar housing; Helen Thomas on the covers of San Rocco; John Macarthur on clouds; Markus Lähteenmaäki on Superstudio; and Erik Wegerhoff on the Viennese Auto-Expander. The volume is rounded off with an epilogue, ‘The\nLimits of Drawing’, by Adrian Forty and Sophie Read.","brand":"Helen Thomas","offers":[{"title":"Default Title","offer_id":19059381927993,"sku":"9781848223776","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848223776_6b96671f-8d4d-4f6d-915a-5516ba77db9a.jpg?v=1761895925"},{"product_id":"the-architectural-association-in-the-postwar-years","title":"The Architectural Association in the Postwar Years","description":"In the period following the Second World War, the Architectural Association (AA) became the only British school of architecture of truly global renown. It was one of only two schools in the world which fully embraced and promoted the pedagogical ideals put forward by CIAM (Congrès Internationaux d’Architecture Moderne) — the other being Walter Gropius’s Harvard Graduate School of Design — and emerged as an admired example for architectural education in other countries. Many of the most famous British architects and critics of the past 60 years attended the AA, including Ahrends, Burton + Koralek, Alan Colquhoun and John Miller, Jeremy Dixon and Edward Jones, Frank Duffy, Eldred Evans, Kenneth Frampton, Bill Howell, John Killick, Robert Maguire, Cedric Price, Graeme Shankland and Oliver Cox, Quinlan Terry, John Voelcker, and almost a dozen recipients of the RIBA Gold Medal, viz. Neave Brown, Peter Cook, Edward Cullinan, Philip Dowson, Nicholas Grimshaw, Michael and Patricia Hopkins, Powell + Moya, Richard Rogers, and Joseph Rykvert.\u003cbr\u003e\u003cbr\u003eThe book traces the history of the school from the end of the war until the mid-1960s, when it surrendered its position as the pacemaker in British architectural education in order to safeguard its institutional independence. Alvin Boyarsky, who became chairman in 1971, remodelled the AA as a postmodern, ‘internationalist’ school and detached it from its modernist, British origins. In keeping with this (and partly as a result of it), there has been no research into the AA’s postwar history, which remains dominated by myths and half-truths. The book replaces these myths with an in-depth account of what really happened.","brand":"Patrick Zamarian","offers":[{"title":"Default Title","offer_id":19579750055993,"sku":"9781848224063","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848224063_f784d833-ee1d-456a-aa55-9af99dc79052.jpg?v=1761895925"},{"product_id":"richard-seifert","title":"Richard Seifert","description":"The pioneering British modernist architect Richard Seifert was one of the most successful and influential architects of his generation. During the 1960s and ’70s he changed the face and fabric of London with a powerful series of highly visible and uncompromising brutalist buildings, including – most famously - Centre Point, the Nat West Tower and King’s Reach Tower. Seifert is often described as a modernist version of Christopher Wren in terms of his impact upon the capital, building hundreds of towers, office buildings and hotels in London but also working in other parts of the UK and internationally.\u003cbr\u003e\u003cbr\u003eAn enigmatic and determined figure, Seifert achieved much in his lifetime yet has remained a controversial and divisive figure due to his unwavering commitment to modernism. Both Seifert and his buildings have been attacked, with his work described as ‘notorious’ for its brutalist aesthetic and an arguable lack of contextuality. Yet in recent years there has been a noticeable upsurge of interest in brutalist architecture in general along with the beginnings of a re-evaluation of Seifert’s extraordinary contribution to mid-century architecture and design: a number of buildings by Seifert and his associates have been listed in recognition of their architectural importance.\u003cbr\u003e\u003cbr\u003eBeautifully illustrated, this book records, analyses and celebrates a considered selection of Seifert’s buildings, including Centre Point, the Nat West and King's Reach Towers, Space House, the Euston Station Buildings, the Park Lane Tower Hotel, Drapers Gardens, the International Press Centre, all in London, Wembley Conference Centre and Sussex Heights in Brighton, within the most extensive survey of his work to date.","brand":"Dominic Bradbury","offers":[{"title":"Default Title","offer_id":19579750383673,"sku":"9781848223509","price":49.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848223509_e0dc6e45-0eeb-4d2b-8b29-6c5c2dfc596f.jpg?v=1761895931"},{"product_id":"arts-and-crafts-churches","title":"Arts \u0026 Crafts Churches","description":"This comprehensive overview provides the first detailed account of the phenomenon of the Arts \u0026amp; Crafts church, examining more than 200 of the finest examples, mostly built between 1884 and 1918 in England, Scotland and Wales. Arts \u0026amp; Crafts studies tend to focus on houses and furniture: churches were no longer central to architects' practice. A handful of well-known churches have been written about extensively - WR Lethaby's Brockhampton, John Dando Sedding's Sloane Street, Philip Webb's Brampton, Great Warley, Roker, Mackintosh's Queen's Cross. But these famous examples obscure the existence of scores of churches that express Arts \u0026amp; Crafts ideas every bit as vividly. And they are rarely set alongside each other, nor seen within the wider context of not only how they were built, but why: what was going on in society?\u003cbr\u003e\u003cbr\u003eThese churches are visually arresting, with often quaint, at times far-fetched and capricious exteriors. Internally, they often contain beautiful works of art, including reredoses, pulpits, lecterns, pews, doors, lighting, stained glass and altars. They also tell a fascinating story about religion as Britain entered the age of modernity. While the architects were often religiously sceptical, they were still committed to making beauty, despite their ambivalence about its higher purpose. \u003cbr\u003e\u003cbr\u003eBeginning with an introductory section in which author Alec Hamilton sets out the social and political context in which these churches were designed and constructed; on the Arts \u0026amp; Crafts more generally; and on the architects’ and clients’ beliefs, this book is then divided into regional sections: West Country; the South of England; the South East; London; the Home Counties; the Marches; the West Midlands; the East Midlands; the East of England; the North West; Yorkshire; the North of England; Wales; Scotland. Each section is headed by a short essay highlighting key architects and descriptions of notable churches within each region.","brand":"Alec Hamilton","offers":[{"title":"Default Title","offer_id":19579750449209,"sku":"9781848223219","price":49.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848223219_953a7371-7a24-4f79-b19a-b75c86d9d00a.jpg?v=1761895925"},{"product_id":"the-edwardians-and-their-houses","title":"The Edwardians and their Houses","description":"\u003cp\u003eEdwardian domestic architecture was beautiful and varied in style, and was very often designed and built to an unprecedented level of sophistication. It was also astonishingly innovative, and provided new building types for weekends, sport and gardening, as well as fascinating insights into attitudes to historic architecture, health and science. \u003c\/p\u003e\u003cp\u003eThis book is the first radical overview of the period since the 1970s, and focuses on how the leading circle of the Liberal Party, who built incessantly and at every scale, influenced the pattern of building across England. It also looks at the building literature of the period, from \u003ci\u003eCountry Life\u003c\/i\u003e to the mass-production picture books for builders and villa builders, and traces the links between these houses and suburbs on the one hand, and the literature and other creative forms of the period on the other. It is part of a new movement to explore the ways in which architectural history is recorded and adds up to an original interpretation of British culture of the period.\u003c\/p\u003e","brand":"Timothy Brittain-Catlin","offers":[{"title":"Default Title","offer_id":19579750776889,"sku":"9781848222687","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848222687_3f709bdd-43e7-4b73-ad09-8b0234daf1b4.jpg?v=1761895927"},{"product_id":"imagining-empire","title":"Imagining Empire","description":"This book is the first detailed study of the Commonwealth Institute’s architecture and its exhibition galleries. It shows how the strikingly modern building and its dynamic displays inside worked together to create an immersive ‘experience’ of the Commonwealth, as part of a wider process during which post-war Britain began to focus on a future without its Empire. Featuring unpublished plans, drawings and historic photographs, the book sheds light on the various and often unstable ways in which the concept of the Commonwealth was presented to the British public.\n\u003cbr\u003e\u003cbr\u003eFocusing on the years between 1958-1973, it starts at the point in which the imposing Victorian edifice of the Imperial Institute in South Kensington was reborn as the modern and progressive Commonwealth Institute in Holland Park. Following a brief history of the Imperial Institute, the book then outlines the circumstances that led to the Institute’s move to High Street Kensington. It shows how the Commonwealth Institute was conceptualised and developed by three key players: Kenneth Bradley, the Institute’s director; architect Stirrat Johnson-Marshall, the RNJN partner in charge of the project; the exhibitions designer James Gardner, who for many years was responsible for the projection of British national identity at international exhibitions. In this way, the book shows how the architecture of the Commonwealth Institute, the displays inside and the politics that governed its inception were largely intertwined.","brand":"Tom Wilson","offers":[{"title":"Default Title","offer_id":31535016378425,"sku":"9781848224100","price":49.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848224100_e9f58972-77b9-47d4-b989-6d5971f06244.jpg?v=1761895928"},{"product_id":"walter-segal","title":"Walter Segal","description":"This is a study of the architect Walter Segal (1907-1985): his background, influences, thoughts, writings, his unique approach to architectural practice (and his built work) and his enduring impact on architecture and attitudes to housing across the world. It firstly sets out his formative years in Continental Europe. Segal’s father was an eminent modernist painter and a founder of the Dada movement. Walter grew up surrounded by leaders of the European avant-garde. Qualifying as architect in Germany just as the Nazi party came to power, Segal moved to Switzerland, Mallorca, Egypt and finally to London in 1936.\n\nThe second section focuses on Walter Segal’s central theme of popular housing, his unique and independent form of professional practice, how he managed to spread his ideas through writing and teaching, and how his architecture developed towards the timber-frame form known world-wide today as ‘the Segal system’, which could be used by people to build their own houses.\n\nThe third section follows the development of the timber-frame form known world-wide today as ‘the Segal method’ and how it came to be used by people to build and indeed design their own houses. 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Raised in northern Italy and educated at La Sapienza University in Rome during the tumultuous 1960s, Vinciarelli would bring her socio-political consciousness to bear on her work in New York, where she relocated in 1969. By 1976, she and Minimalist artist Donald Judd had become a romantic and professional pair, collaborating for nearly ten years on architecture, furniture design, and printmaking. 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It is enlivened with a rich line-up of colourful characters, including Baron Albert Grant; Henry Mayers Hyndman and his connections with Karl Marx, William Morris and George Bernard Shaw; John Burns; Octavia Hill; Aubrey Beardsley and the artistic bohemians; Alfred Harmsworth and the Garrett sisters, and includes insightful quotes on London by esteemed authors such as Trollope, Henry James and Rudyard Kipling.\n\u003cbr\u003e\u003cbr\u003eDivided into four long chapters, each dealing with a decade, London’s evolution between 1870 and 1914 comes across clearly.  Although not intended to be a complete history, it does cover all the most important historical developments in London and London life.  Particular issues are allotted to the decade in which they seem to have been most critical. Topics covered include: the creation of new neighbourhoods and roads; how the Victorians dealt with their housing crisis; why certain architectural styles were preferred; and the fashion for focusing on certain types of building, such as ice rinks, schools, houses, hospitals, fire stations, exhibition halls, water works, music halls, recital rooms and pubs.\n\u003cbr\u003e\u003cbr\u003eThis is an up-to-date, readable and well-illustrated book which embraces the whole in a positive spirit. Saint’s interpretation of London’s history in the period covered is unashamedly one of progress in the face of great odds. He shows that, in almost every aspect, it was a much better city in1914 than in 1870. At a time when local autonomy in Britain has been ruthlessly downgraded and London’s face is every year coarsened further by money-led developments, this story of gradual and earnest improvement may have lessons to teach.","brand":"Andrew Saint","offers":[{"title":"Default Title","offer_id":40883725467848,"sku":"9781848224650","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848224650_e905e38c-e7fd-4d5b-bc40-d007d6c2d6c9.jpg?v=1761895925"},{"product_id":"kay-fisker","title":"Kay Fisker","description":"\u003cp\u003eThis book focuses on Kay Fisker (1893-1965)’s housing\nestates in Copenhagen. A leading exponent of Danish Functionalism, Fisker was influenced\nby Louis Sullivan, and had a strong belief in continuity, putting modernism in\nperspective and identifying precedents. He built many large-scale housing\nschemes, mostly for non-profit workers' housing associations, and developed\ninnovative and beautifully considered high-density, low-rise block schemes,\nwhich have proven useful and influential to the growing number of contemporary\narchitects who have examined his designs.\u003c\/p\u003e\n\n\u003cp\u003eBeautifully illustrated with photographs and architectural\ndrawings, this book documents and critically analyses three of Kay Fisker's\nseminal housing projects in Copenhagen: Hornbaekhus (1923); Vestersohus\n(1935-39); and Dronningegarden (1943-58). These projects reflect how Fisker's\nwork contains valuable lessons for contemporary architects in economy,\nprecision and generosity in housing design. Essays by Martin Søberg, Poul\nSverrild and Job Floris set Fisker’s work within their historical, social\nand architectural context. In the final section, architects from three leading\ncontemporary practices – Clancy Moore, Monadnock and Tony Fretton - discuss how\nKay Fisker has influenced their own approaches and work. \u003c\/p\u003e\u003cbr\u003e","brand":"Andrew Clancy","offers":[{"title":"Default Title","offer_id":40883726254280,"sku":"9781848224056","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848224056_25392499-c858-42c5-9e8b-c80adb2d71e9.jpg?v=1761895929"},{"product_id":"decimus-burton","title":"Decimus Burton","description":"\u003cp\u003eA contemporary of Soane, Nash and Pugin, Decimus Burton (1800–1881) was one of the most prolific architects of his day and is best known for his work in London’s Royal Parks, including: the Wellington Arch and the Serpentine pavilion in Hyde Park; villas and terraces in Regent’s Park and the London Zoo; the Temperate house at the Royal Botanic Gardens, Kew; and the layout and architecture of the seaside towns of Fleetwood and St Leonards-on-Sea, and the spa town of Tunbridge Wells. Other projects include the Atheneum Club, Pall Mall, Adelaide Crescent in Brighton, and Phoenix Park in Dublin. \u003c\/p\u003e\u003cp\u003eDespite his success, little is known about Burton and this book is the first to fully examine his work, from his early years and his father’s influence, through his apprenticeship with John Nash, his works in private practice and his growing reputation, to his exploits in town planning and glass houses. This is set within a fascinating social and political context, with stories of conflict and heated dispute amongst the key players which paint a vivid portrait of the architectural profession and construction industry during this period. It reappraises Burton’s legacy and summarises his significant achievements and reveals how he contributed to the birth of the picturesque style that was to develop into the Arts and Crafts movement. \u003c\/p\u003e","brand":"Paul A. 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It reflects the changing emphasis of Butterfield’s work: first, the revival, rebuilding and reform of the country parish; next the role of the church and the agents of social health in the burgeoning town and city; third, the revolution in secondary education and college life; and finally, sites of refuge, sanctuary, repose and remembrance. Drawing extensively on the literature of the time, each chapter discusses a societal shift and surveys Butterfield’s most important architectural contributions to this. 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Episodic rather than encyclopaedic, it does not describe every twist and turn in the development of modern Japanese architecture, but rather, it examines twenty buildings spanning the 20th century and places them in the context of the political, social and economic, as well as the historical and cultural factors that shaped both them and modern Japan. Each building has been chosen because it reflects a major event in the development of modern Japan and its architecture.\n\u003cbr\u003e\u003cbr\u003eIn this way, the author provides a more rounded understanding of the development of modern architecture in Japan and the circumstances from which it emerged and offers lessons that are still of relevance. As it entered the modern era, Japan was faced with the necessity of accepting an influx of Western technology in order to catch up. With imported technology came new and different ideas and values. 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This distinct region, which includes Norway, Sweden, Finland and the Russian Republic of Karelia, was dominated by coniferous forest and remained until well into the 20th century a largely rural society. Wood was seen as a living material - one that was permeated with myth and folklore - while the forest itself formed the background to everyday life. Indeed, no single source of material wealth has contributed more to the economy, art and culture of Fennoscandia than the forests. Nowhere is this contribution clearer than in the region's historic buildings, the vast majority of which were constructed in wood up until the late 19th century.\n\u003cbr\u003e\u003cbr\u003eThis is the first book to examine and record the distinctive wooden architecture of this region from the early medieval period to the early 20th century. Structured according to different wood types, it concentrates on domestic and religious buildings, as these formed the great bulk of historic architecture in the peninsula over many centuries. It begins by setting out the geographical, social and historic background, before discussing the way in which two different timber-building traditions emerged in the region. It then provides a detailed examination of different types of dwellings (rural and urban) and storage lofts, followed by a section on Catholic, Protestant and Orthodox churches, along with their free-standing bell-towers. The book concludes with a chapter outlining the development of wooden domestic and religious buildings during the closing decades of the 19th century and the early years of the 20th century.","brand":"John B. 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Following an introductory essay, the book includes 70 entries, chronologically ordered, each including an attractive indicative image (or two), an introductory commentary by the authors, and the text itself. The texts come from designers (from Bernini through Piranesi to David Chipperfield) as well as other artists (John Piper), and from literary figures (Goethe, Wordsworth, Byron and Shelley, Hugo, and Hardy). 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His immersion in the philosophy and creativity of the masters inspired him to restore a succession of classic modern houses, curate exhibitions, create a versatile range of furniture and rugs, and design sculptural gardens.\n\u003cbr\u003e\u003cbr\u003e\u003ci\u003eMillennium Modern: Living in Design\u003c\/i\u003e details his work across the first two decades of the new millennium and reflects his belief that the tenets of modernism – honesty and simplicity - developed more than a century ago, are equally relevant to our pluralistic age. In contrast to the pioneers who wanted to do away with the past, his creations are deeply rooted in the history of design. Essays by Boyd and architectural writer Michael Webb, along with comments from collaborators and critics, explore each facet of his residential design. This beautifully illustrated volume reveals Boyd’s holistic design practice from his discovery of design classics in flea markets, to his own furniture designs, which feature in residential interiors, hotels and museums, through to his sensitive restoration of the houses by Paul Rudolph and Oscar Niemeyer, Richard Neutra and Craig Ellwood, and the sculptural landscapes he designed to enhance these residences, as well as masterpieces by John Lautner.","brand":"Michael Boyd","offers":[{"title":"Default Title","offer_id":41553450139848,"sku":"9781848226029","price":49.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848226029_926f9118-04bc-4ddb-9d11-6514f97630b8.jpg?v=1761895934"},{"product_id":"living-in-houses","title":"Living in Houses","description":"This book presents a rich and rewarding history of houses in England through the stories of nine houses, dating from the 1600s to the 1980s, which have been inhabited by the author, an architect and academic. \n\nChronologically ordered, the book covers rural vernacular houses from the 17th Century, Georgian and Victorian townhouses, villas and converted industrial buildings, Edwardian semis and 20th-century council housing and mixed tenure new developments. Firstly reflecting on the author’s own experience of the house, each chapter then examines its historical context, before making a detailed analysis of the buildings design and layout, usefully illustrated with architectural drawings. Each chapter concludes with a useful discussion of lessons learnt from each house\/historic period and compares them with contemporary houses which use similar materials, construction techniques or ideas. \n\nIt not only details the evolution of the design and construction of houses through the centuries, but also includes concise but highly informative sections on the history of various types of construction and materiality, such as brickmaking and timber and steel frame; sections on conversion and adaptive reuse and what works and what doesn't; the evolution of styles; housing density; ownership; and the three broad waves of council\/social housing etc. \n\nOn reflecting on her own experiences, the author provides useful insights into how we relate to our homes, how they shape and affect us and the value and meaning of the home.","brand":"Ruth Dalton","offers":[{"title":"Default Title","offer_id":41562680852680,"sku":"9781848224957","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848224957_4dc3091f-369f-47fd-a34e-66a71e675062.jpg?v=1761895935"},{"product_id":"architecture-and-the-face-of-coal","title":"Architecture and the Face of Coal","description":"\u003cp\u003eWith only a handful of British coalmines remaining\nactive and with targets set to reduce carbon emissions, the coal industry now\nseems to be heading towards extinction. Yet, it was coal that turned Britain\ninto a world-leader during the Industrial Revolution and established the\nconditions for the modern state. In the 20th century, it generated building\nprogrammes on a massive scale concerning miners’ welfare, settlements and\nhousing. The form, space, organisation, and aesthetics of architecture\nbecame of critical importance not just to the process of the industry’s modernisation\nbut also how it was perceived and understood both within and outside its\nworkforce. But despite the centrality of coal mining and its workers to the\ndevelopment of modern Britain, as well as the contemporary recognition that\naspects of its innovative architecture received, its built legacy has often been\noverlooked and physically almost completely erased. Divided into three parts, this\nis the first book which provides a critical and comprehensive examination of\nthe architecture of coal in Britain and how it responded to the needs of the\nindustry and, perhaps more significantly, its labour force.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003ePart I explores the relationship between\nthe architecture of coal and the provision of welfare. 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Finally, Part III explores the modernisation of the industry during\nthe post-war period arguing that that architectural design and representation\nbecame pivotal to the functional and symbolic requirements of the newly\nNationalised entity and its position within, and singular contribution to,\npost-war society.\u003c\/p\u003e","brand":"Gary A. 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Primarily concerned with Caribbean homes, \u003cem\u003eThe Front Room\u003c\/em\u003e also looks at Moroccan, Surinamese, Antillean and Indonesian migrant groups in Holland—encompassing, through texts, archival documents and artistic photographs, the important cultural markers that are expressed through the domestic interiors of migrants. The author examines how this intimate space within the home raises issues of class, race, migration, aspiration, religion, family, gender, identity and alienation. He also looks at the transition from the colonial post-colonial modernity by placing the book in the context of his own family’s migrant experience.\u003c\/p\u003e\n\u003cp\u003eWhile this revised edition includes updates of the original essays from leading social commentators Stuart Hall, Denise Noble, Carol Tulloch and Dave Lewis, as well as poems by Khadijah Ibrahiim and Dorothea Smartt, and paintings by Sonia Boyce, Kimathi Donkor and Njideka Akunyili Crosby. 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The world of English country-house living changed irrevocably, so Tipping never saw his hopes for the house come to fruition. \u003cbr\u003e\u003cbr\u003eFeaturing a wealth of previously unseen material including correspondence, articles and illustrations, this book insightfully details the design and building of the home H. Avray Tipping created for himself with the help of the young Chepstow architect Eric Carwardine Francis. It also gives a rich and evocative portrait of Tipping and his friends, with visits from Lloyd George and from Tipping’s gardening colleagues, including Harold Peto, Gertrude Jekyll and William Robinson. The grand layout of the Mounton gardens on the plateau above a limestone gorge included a 24-pillar pergola, terraces overlooking the Severn estuary, a two-storey tea house, a rock garden and remarkable and innovative water gardens.\n\u003cbr\u003e\u003cbr\u003eOver time, the house was neglected and the magnificent gardens became overgrown. 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Sicily’s strategic position in the centre of the Mediterranean led to settlement or conquest by a succession of different peoples – Phoenicians, Greeks, Romans, Byzantines, Muslims, Normans, Germans, French, Spanish – each one leaving its traces on Sicilian culture.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe book provides a chronological survey, each section opening with a brief historical overview which is followed by an authoritative and engaging account of the development of the period’s art and architecture. The leading architects, artists and stylistic currents are all discussed and outstanding individual buildings and works of art are analysed, some famous, others which may be unfamiliar to readers. 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Taking a similar approach, this book explores the different tendencies that affected the developments of the past six decades, beginning around the 1960s, when a new wind started to blow from within Modernism, leading to different reactions and counter-reactions, the effects of which are still felt today. \n\nThis book provides a survey of contemporary developments, starting with an introductory chapter on the transitional period of the 1960s and then examining the different movements that followed, charting a middle course between the ‘aesthetic’ histories that examine architecture solely in terms of its formal aspects, and the ‘ideological’ histories that subject it to a critique that often skirts the discussion of its formal aspects. Global in scope, each chapter begins with a theoretical overview of the ‘paradigm’ in question, leading to an examination of its main actors and projects. 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The book addresses Aalto’s sacred oeuvre in its entirety, yet pays particular attention to the Church of the Three Crosses, broadly considered the apotheosis of Aalto’s sacred career. Through a detailed analysis of the religious actors and factors that shaped the design and construction of Aalto’s sacred works—from local parish building committees to bishops, and from liturgical reform movements to post-war debates on sacred art—this book shows that religious influences were neither extrinsic nor peripheral to Aalto’s modernism, but intrinsic and intimately related to it. The study of previously uncovered primary archival materials establishes that Aalto’s engagement with the Church was a consciously and productively symbiotic partnership which drew from shared interests and values, yet which also encompassed compromise and conflict. 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It was a ‘demonstration house’: widely documented and written about in leading architectural journals when it was built. These publications elevated the house to the status of an icon in the history of modernism and an essential work of the international modern movement, from Berlin to Tokyo and Paris to Milan, at the high point of its influence and fame. The Lovell Health House helped to launch the international career of one of the central figures of 20th-century architecture, pioneered the use of concrete and steel in the dwelling, radically advanced the ideals of hygienic, carefree, and open-air living, and explored new relationships between space, structure, the natural world, and physical and psychological well-being.\u003c\/p\u003e\n\u003cp\u003eThe book includes new texts by Edward Dimendberg, Crosby Doe, and Nicholas Olsberg, a chronology by Thomas Hines, historic texts by Willard D. Morgan and Richard Neutra, and specially commissioned colour photographs by Grant Mudford. 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This book reveals the full story of this innovative masterpiece. Opening in 1982, Museum Abteiberg was instantly lauded by international critics and Hollein was duly awarded the 1985 Pritzker Prize. It rapidly became a place of architectural pilgrimage, with more than 20,000 people flocking to visit in its opening week, well over a decade before Frank Gehry completed the Guggenheim Museum in Bilbao.\u003c\/p\u003e\n\u003cp\u003eThe book provides a timely and comprehensive reappraisal of the museum from concept, through the design process to its completion. It explains that Hollein was at his core a conceptual artist, perceiving the museum as provocative land art, with an architectural collage as exterior and a labyrinthine, ‘democratic’ interior, designed around the collection. 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This ambitious volume captures something of the diversity of the modern British city through a multi-disciplinary approach, exploring gentrification and multiculturalism, shopping and night life, as well as demography and statistics.\u003c\/p\u003e\n\u003cp\u003eFor much of the first two-thirds of the 20th century, ‘modern’ in the British urban context meant the purging of the Victorian past. Even so, much of the terraced housing and the monumental architecture of city centres still dated from the 19th century. Disdained by architectural critics in the first half of the 20th century, structures like Covent Garden’s Market Building, Manchester’s Royal Exchange and Liverpool’s Albert Dock would become pivots of the conservation and restoration movement which accompanied Britain’s ‘urban renaissance’ from the 1970s onwards.\u003c\/p\u003e\n\u003cp\u003eAs this book shows, after 1950 a series of long-term historical processes combined to transform the British city. 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While focusing on Waterloo Bridge, the book also explores the evolution of the surrounding districts and the character of the Thames as it flows through Central London: tidal, wide, difficult to navigate and bridge, and intensely busy during its heyday. It sets Waterloo Bridge alongside the other London river bridges, revealing the complex politics and economics of bridge building.\u003c\/p\u003e\n\u003cp\u003eFull of fabulous characters and stories, the book takes us from the geology and ancient history to the history of the docks and on to the great bridge built in the 18th and 19th centuries. It reveals the complex politics and economics behind these bridges, who designed them and how they were constructed. The book explores how the surrounding districts evolved, the creation of the Thames embankments, and Waterloo bridge’s notoriety as a site for suicides – a subject that fascinated Dickens, Watts and Millais. 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In shedding light on these highly influential individuals, who were the forerunners of the Modern Movement, the Bauhaus, and the International Style, this book provides a new understanding of how the Werkbund functioned, how it pursued its aims, and how it achieved such a profound and enduring legacy.\u003c\/p\u003e","brand":"W. Owen Harrod","offers":[{"title":"Default Title","offer_id":44649219883208,"sku":"9781848227385","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/9954\/files\/9781848227385.jpg?v=1761895944"},{"product_id":"the-architecture-and-writings-of-e-s-prior","title":"The Architecture and Writings of E.S. Prior","description":"\u003cp\u003eEdward Schröder Prior (1852-1932) is not easily labelled. His reputation as an Arts and Crafts architect is well-earned but his output is much broader and more complex, offering a fascinating window into the debates surrounding English architectural and design culture around the turn of the 20th century. This book brings together the various strands of his work to present a far more complex, holistic understanding of his particularly rich and insightful thinking and his creative approaches.\u003c\/p\u003e\n\u003cp\u003eA contemporary and close friend of C.F.A. Voysey and W.R. Lethaby, as well as C.R. Ashbee and Ernest Gimson, Prior was perhaps most famous in his lifetime for his writings, including his books and articles on English medieval art, and as Slade Professor of Art at Cambridge University, where he set up the first architecture course. In subsequent decades, his writings have been upstaged by his original, innovative and varied architecture, with his best-known building, St Andrew’s, Roker (Sunderland), dubbed the ’cathedral’ of the Arts and Crafts movement.\u003c\/p\u003e\n\u003cp\u003eWhen taken together, Prior’s writings and architecture demonstrate the complexities and contradictions inherent in his work, as well as contemporary and visual cultures. 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