Hardback192 PagesSize: 279 x 191 x 25 mm
ISBN: 9781848220218Publication: March 28, 2009

The Darker Side of Light

Arts of Privacy, 1850-1900

Peter Parshall, with contributions by S. Hollis Clayson, Christiane Hertel and Nicholas Penny

£50.00 GBP

  • Presents an unfamiliar history of 19th-century art which focuses on small-scale prints and drawings intended for private study 
  • Includes the work of Redon, J.M. Whistler, Ensor, Klinger, Manet, Degas and Rodin

For many today, the art of the late 19th century is equated with Impressionism and Post-Impressionism. This captivating book with its insightful essays and remarkable works of art presents us with an alternative account of the period.

For collectors the experience of prints, drawings, and small sculptures was often a private affair, like taking a book down from the shelf for quiet enjoyment. Prints and drawings were kept aside, compiled in albums and portfolios, while medals and bronzes were often placed in the seclusion of the library. In short, such works of art were not typically a part of one's day-to-day environment in the manner of a framed object hung on a wall. Rather, they were subject to purposeful study on chosen occasions. From the beginning this element of discreteness allowed for degrees of experiment leading artists to sometimes recherche, sometimes enigmatic, and often melancholy subjects that indulged the solitary circumstances of their reception.

By explicating a range of highly engaging, often mysterious and beautiful objects, The Darker Side of Light evokes the shadowed interiors and private introspections that compose a far less familiar history of late 19th-century art.

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