Lund Humphries visits the RA Summer Exhibition 2025

Held every year without interruption since 1769, the Royal Academy’s Summer Exhibition displays a diverse array of contemporary works. Farshid Moussavi RA, coordinator of this year’s Summer Exhibition, says that the 2025 show is ‘dedicated to art’s capacity to forge dialogues and to afford us sensitivity towards societal concerns, such as ecology, survival and living together.’  

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Installation art in the first room of the Summer Exhibition

Armed with the RA List of Works, the Lund Humphries team set off to explore the galleries…  

Galleries I and III included works by London-based artist Rana Begum RA. Two works of smaller scale featuring colour-changing acrylic panels, and two of her spray-painted large-scale works, mounted back-to-back hang dramatically from the ceiling.  

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Rana Begum's 'NO.1460 PAINTING' and 'NO.1470 PAINTING' in Gallery III 

The palette of colours and their mixing, blurring and the play with light, are central to Begum’s work, which ranges across painting, sculpture and architecture. Her cloud-like installation (No.1367 Mesh) at Pallant House Gallery would sit well among these rooms but for now you’ll have to go to Chichester to see it…  

Want to know more? Rana Begum: Space Light Colour is available from the LH website. 

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Rana Begum's '96B' in Gallery I

Another artist with work across several galleries and working across media is Nigel Hall RA. His Corten steel sculpture Radiate is on display in the Lecture Room, which includes several sculptures and architectural works, and was curated by Royal Academicians Farshid Moussavi, Stephanie Macdonald and Tom Emerson, and Christopher Le Brun PRAA.  
 

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Nigel Hall's sculpture in the Lecture Room 

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Other architectural and sculptural works

Hall’s beautiful steel sculptures have found homes in both private and public outdoor spaces; Yorkshire Sculpture Park has another Corten steel work, Crossing (Horizontal) with its sister sculpture, Crossing (Vertical) on display in Barnsley town centre. 

Two of Hall’s Drawings in charcoal and acrylic appear in Gallery III, in which Exhibition Co-ordinator Farshid Moussavi RA has chosen to display pieces from every discipline to animate the space and create a dialogue with the two-dimensional works on the surrounding walls. Hall’s work can also be found in Gallery IV, where Christopher Le Brun PPRA has built his hang around two principles: colour and scale – the perfect room to include Hall’s Winter Sun screenprint. 

Want to know more? Nigel Hall: Sculpture & Drawings is available from the LH website. 


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Nigel Hall's drawings in Gallery III (top)
  

Rose Wylie RA is an artist whose works are immediately recognisable, and her pair of works, Lost City, Drawing and A Lost City (Black) appear side by side in Gallery III. 2026 will see a major solo exhibition on Wylie at the RA - the largest exhibition on the artist to date. Back in 2018, when Grayson Perry curated the Summer Exhibition, Rose Wylie joined Joe Tilson, Cornelia Parker and Perry in creating flags that were hung across Mayfair and St James’s to celebrate 250 years of the RA. Wylie’s flags based on her series Lolita’s House.  

Want to know more? Rose Wylie is available from the Lund Humphries website. 
  

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Rose Wylie's 'Lost City' works in Gallery III
 

And speaking of Sir Grayson Perry RA… Gallery IX contains his glazed ceramic vase, Conversations with my Fellow Academicians. As you would expect from Perry the work is tongue-in-cheek and covered in overheard fragments and phrases and pictures of the artist in various guises. There are 3 further works by the artist throughout the exhibition.  

Famously the Summer Exhibition is open to anyone to submit works, and Grayson’s Art Club on Channel 4 put this idea front and centre when it began in the Covid Lockdown, celebrating art and its makers of any type.  

The charity Outside In takes this further, providing a platform for artists who encounter significant barriers to the art world due to health, disability, social circumstance, or isolation. We were delighted to work with the charity to publish a book featuring their artists back in 2023. Outside In: Exploring the Margins of Art shares some of the most inspiring artwork produced outside of the mainstream and features an interview with Grayson Perry. More information on the book can be found on the Lund Humphries website.  

The Outside In National Open Exhibition is on at The New Art Gallery Walsall until 19 October 2025.  

 

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Grayson Perry's ceramic vase
  

In 2023 the Summer Exhibition was curated by David Remfy RA, and this year’s show has his works in Galleries V and IX. Remfry is perhaps best known for large-scale works often depicting people dancing. To Dance Alone is a much smaller work, hung alongside In a Dream – both pictures of young women, eyes closed or downcast, red painted lips, alone. Above them, the exuberant Unanswered Calls from Utopia has a tropical colour palette and two old-style telephones in red and green sit on a table among the palms… 

Want to know more? Our multi-contributed book David Remfry will be published in the UK on 2nd September and is available to pre-order.  

  

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Three of David Remfry's works in Gallery IX
  

Dame Barbara Rae RA is an artist whose themes of landscape and travel are shown in a number of the galleries, with her work appearing throughout, even as the themes of each room shift. Her woodcut print Lone Bear – Arctic in Gallery II (which has been curated to communicate the organic nature of displaying a rich mix of disciplines) is separated from Bear – Cresswell Bay in the Large Weston Room (focussed on the theme of Dialogues, and the relationship between humans and the natural, non-human world). Rae’s Ailsa Craig 3 and 4 are in Galleries IX (focusing on movement and colour) and VI (focusing on reconnecting nature and culture).  

Want to know more? Our book on the artist is no longer in print, but our blogpost from 2013 attests to Rae’s place as a perennial RA favourite.  

  

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Barbara Rae's 'Lone Bear - Arctic' in Gallery II (top)

Also in Gallery VI, Peter Cook’s drawings are immediately recognisable by the vibrant colour palette and futuristic style. This gallery was curated by Stephanie Macdonald RA and Tom Emerson RA from 6a architects, so there is a noticeably strong architectural presence in their selection. The key theme here is the reconnection of nature and culture within architecture, something lost in the age of modernism, and the morphing, organic forms in Peter Cook’s drawings pay homage to the natural world in the realm of architecture.  

Cook's distinctive drawings feature in the Lund Humphries book Drawing Architecture: Conversations on Contemporary Architecture, edited by Mark Dorrian, Riet Eeckhout and Arnaud Hendrickx. 

  

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Four Peter Cook drawings in Gallery VI 
  

Indeed, the fact that this year’s Exhibition is the first which doesn’t separate the architecture into its own space, means that architectural models feature alongside sculpture, in rooms with hangs that display 2D works from both architectural and artistic disciplines. 

One such model is the plaster model of the Thames Christian School & Battersea Chapel by Henley Halebrown, in Gallery VII. We are pleased to be publishing a book on the work of Henley Halebrown later this year. The practice produces architecture that takes account of the way people actually use buildings and how they affect our sense of well-being. With insightful essays by founding director and architectural writer Simon Henley, this book highlights the critical thinking which is at the heart of their work. 

 

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Two views of Henley Halebrown model of Thames Christian School & Battersea Chapel

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Architectural works were mixed in throughout the exhibition

Gallery VII was curated by Vanessa Jackson RA, who wanted to explore how colour relationships can form dialogues across all art forms, not only painting but sculpture, printmaking and architecture; lux and lumen being the ultimate dialogue of perception.  

Paul Huxley RA’s work fits the bill very nicely: Huxley (b.1938) built a career characterised by an instinct to push boundaries and find new ways to advance the language of abstract painting. His works are meditations on colour and shape, with bold hues and crisp lines creating pleasing compositions that are so unmistakeably by Huxley. The large painting, Great Atlas, is no exception, and steals the visitor’s attention upon entering the room. The smaller prints, Set of Four, also incorporate the elements of form and colour that are so successful in the larger works.  

Want to know more? Our beautiful monograph on the artist is available from the Lund Humphries website. 

 

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Paul Huxley's large painting draws the eye in Gallery VII

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Across the room are two further Paul Huxley works among other smaller colourful works


Gallery VIII was curated by Sikelela Owen RA, and much like her own paintings, themes of family and childhood can be found throughout her selection. Her selection also includes landscapes – one of which by Hurvin Anderson RA, an artist who is known for painting loosely rendered ‘observations’ of scenes and spaces, loaded with personal or communal meaning. His work is situated at the far end of the gallery, and the bright green tones of the scene draw the viewer towards the canvas, which is nestled between smaller paintings depicting everyday scenes, children, family moments and domestic spaces.  

Want to know more? Our award-winning book on the artist is available from the Lund Humphries website. 

 

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Hurvin Anderson's 'The Harder They Fall' in Gallery VIII

Also in Gallery VIII is a striking work by Hughie O’Donoghue RA, entitled Above the Fields, a vibrant landscape image which is somewhat reminiscent of stained glass, in its luminosity and with the shapes cast by the delineation of the divisions of the fields.

Hughie O’Donoghue (b. 1953) explores themes of universal human experience, ideas of truth and the relationship between memory and identity in his work. Want to know more? Our monograph on the artist is available from the Lund Humphries website. 

 

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Hughie O'Donoghue's 'Above the Fields' (centre, right)

From landscape paintings to Land Art... Found in two rooms which thrive from the mixture of media types, are two of Julie Brook’s photographic documentations of her temporal installations in nature.  

These works sit very well among the galleries’ other 3-dimensional, photographic and figurative works, as Brook's photos are momentary 2D snapshots of long-term 3D artworks, capturing how the work interacts with the elements of the natural world, with weather and light. The Lecture Room houses Winter Wall, Evening Light, Aird Mhòr, Hebrides, alongside photographic and painted works, and Gallery III houses Winter Wall, Setting Light, Aird Mhòr, Hebrides, alongside architectural works and a very stark black and white work, War Anthem (Max Richter From Woolf Works) by Fiona Robinson. An interesting and challenging contrast. 

Want to know more? The beautiful book What is it that will last?: Land and tidal art of Julie Brook is available from the Lund Humphries website. 

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Julie Brook's photographs among other works in Gallery III and the Lecture Room 

Certainly, these works by Julie Brook chime perfectly with the Exhibition’s theme of ecology, survival and living together, and the dialogues created between works throughout the diverse galleries, made for an interesting and engaging visitor experience. It was a great pleasure to see so many Lund Humphries artists featured in the Summer Exhibition this year, so though we may be biased, we highly recommend a visit! And whether you can make it or not, we do hope you’ll check out our books on all the fantastic artists in this blogpost. For more information on the Summer Exhibition visit the RA website. Most of the works on display are for sale. You can browse the collection here.

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The Lund Humphries team in action...