National Year of Reading – Interview with Jo Baring
Our next interview for the National Year of Reading is with art historian, writer, and Director of the Ingram Collection, Jo Baring...

What was the first non-fiction/arts book you remember reading, and what was its impact on you?
The first non-fiction book I remember reading was ‘The Rise and Fall of Anne Boleyn’ by Retha M. Warnicke. I had asked for it for Christmas one year when I was little! It was published in 1989, so I was young, but it had a big impact on me. The way that her story is told and re-told according to different codes of power still fascinates me today. And I am not alone, it’s been centuries since she lived and we are still reading and writing about her.
What’s the latest art book you’ve read?
I recently re-read ‘Unquiet Landscape: Places and Ideas in 20th Century British Painting’ by Christopher Neve. I love ‘Unquiet Landscape’ because it approaches art as an imaginative act of discovery rather than a set of explanations, opening up new ways of thinking about landscape, painting, and the mind. I also enjoyed Laura Freeman’s wonderful biography of Jim Ede, ‘Ways of Life: Jim Ede and the Kettle's Yard Artists’. 'Ways of Life' beautifully conveys Jim Ede’s belief that art belongs everywhere - in a room, in a gesture, in a pebble - and that learning to look can change how we live. I highly recommend both!
What is your favourite Lund Humphries book?
I love the Hot Topics in the Art World series, and have a number of favourites on that list! I particularly enjoyed ‘The Art Fair Story’ by Melanie Gerlis, ‘Commercial Galleries’ by Henry Little, and ‘How Not to Exclude Artist Mothers’ by Hettie Judah.
What is currently on your to-read list?
So many things! I have different piles of books in different parts of my house, ready for whatever mood I am in! Top of my to-read pile is Alexandra Harris’s book 'Rising Down', which is about West Sussex, where I also grew up. 'Rising Down' reminds us that landscape is never singular or static, but a dense weave of stories, losses, and connections that continue to shape how we see and belong. I am also re-reading Harriet Baker’s wonderful book ‘Rural Hours: The Country Lives of Virginia Woolf, Sylvia Townsend Warner and Rosamond Lehmann’. I love 'Rural Hours' for its quiet, attentive portrait of how rural life nurtures creative freedom and renewal. I dip into it for inspiration.
If you were starting a star-studded (art/architecture) book club, who, from any era, would you like to invite?
I’d invite women artists and thinkers across history - from Hildegard of Bingen and Artemisia Gentileschi to Barbara Hepworth, Hilma af Klint and Agnes Martin. We’d have a great time putting the world to rights!
Jo Baring is currently Director of the Ingram Collection of Modern British and Contemporary Art, and a former Director of Christie’s. Author for arts publications and a regular speaker at institutions, art fairs and galleries, Jo is also the co-presenter and co-writer of the critically acclaimed podcast, Sculpting Lives. Her book Revisiting Modern British Art was published by Lund Humphries in 2022.






